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Theatre that dares, wins: why 2011 was a good year for new writing by Maxie Szalwinska

From Morgan Lloyd Malcolm's Belongings to Gina Gionfriddo's Becky Shaw, 2011 has seen a healthy flock of original plays. But theatre must keep up the good new workIn his roundup of 2011 for the G2 arts pages a few weeks back, Michael Billington argued that "verbatim theatre now occupies the territory once claimed by works of the imagination and that ... few dramatists possess a passionate commitment to the theatre". …

SOURCE: The Guardian at 7:08am on January 2, 2012

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