THEATER: God's Waiting Room by Aaron Riccio

The last thing an audience wants is to be told that they're entering limbo for the next seventy minutes, so it's a ballsy move on Ashlin Halfnight's part to have the characters in God's Waiting Room do exactly that. But it's a necessary risk: like Lathem Prince, an original piece running in repertory with this 2005 revival (and which also offered beer), the play is a time-jumping, fragmentary piece, and it's only by …

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