The Missing " review
Tramway, GlasgowAndrew O'Hagan's 1994 debut The Missing was an arresting, genre-defying work " part speculative memoir, part Orwellian social reportage " that investigated the phenomenon of displaced persons. Now it has been reconfigured, in his own adaptation for the National Theatre Scotland, as a form of a dramatic requiem dedicated to the unknown. Hearing O'Hagan's words spoken aloud induces the kind of shock he …