Reviewed by Frank Scheck
From its opening moments—when three giant blind mice make their way onstage tapping their canes—it's clear that Lucy Pebble's <cite>Enron</cite> is not going to be a standard theatrical docudrama. This scathing depiction of one of history's most egregious examples of corporate malfeasance whips out every theatrical trick in the book to get its points across. But for all its undeniable inventiveness, the p…
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