<cite>In the Daylight</cite>, reviewed by Adam R. Perlman
I'll never understand why so many writers can't get out of their own way. Take Tony Glazer, an obviously talented playwright with a penchant for witty zingers and hearty American family drama. It might well be possible to combine the two—his last effort, <cite>Stain</cite>, showed signs of doing just that—but in <cite>In the Daylight</cite>, his big themes and his milieu of family reunion, serious boozing…
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