Review: 'All My Sons,' with Katie Holmes BY LINDA WINER
There is a dizzying hallucinatory swirl to "All My Sons," the wrenching revival of Arthur Miller's 1947 drama that opened last night at the Schoenfeld Theatre. If that description seems out-of-sync with a playwright who held the stage with the certainty of tires on cement, well, imagine the torque of the ride.
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