<cite>Hair</cite> Lands in Central Park and Aquarians Rejoice, by John Simon

You may have guessed that Oskar Eustis, the Public's artistic director, picked <cite>Hair</cite> largely because it can now be construed as an anti-Iraq War show. True enough, but artistically speaking, this unstructured, baggy monster of a musical, though pleasant on first exposure, does not bear too much reviving and closer scrutiny.

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