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Krapp, 39 " review by Imogen Carter

Tristan Bates theatre, LondonGiven our current infatuation with self-analysis through social media, it seems surprising that Krapp's Last Tape hasn't inspired multiple new versions replacing Krapp's battered tape recorder with modern technology. And yet Beckett's 1958 masterpiece, set on Krapp's 69th birthday when he's recording his memories while berating his former self on old spools, is such a timeless meditation …

SOURCE: The Guardian at 7:09pm on November 27, 2010

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