“GOOD TIME CHARLIE”: A FAMILIAR COMING-OUT STORY THAT OVERSTAYS ITS WELCOME
By Samuel L. Leiter . . . Oskar Eustis, renowned artistic director of the Public Theater, has a gift for writing strongly supportive program notes for the shows he presents; he could have been New York’s premier press representative had he chosen. Take, for example, his comments on Ryan J. Haddad’s Good Time Charlie, which he […]
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