Frontmezzjunkies reports: “Liza! at 80” Takes Carnegie Hall for One Night Only By Ross The moment I saw the announcement for Liza! at 80: A Celebration in Song and Dance, I felt that fam…
Frontmezzjunkies reports: The 2026 Off Broadway Alliance Award Nominations Announced By Ross Some of my most memorable nights in New York have taken place far from the bright marquees of Bro…
Frontmezzjunkies reports: Joshua Henry Leads a Night of Extraordinary Theatre at the Drama League Awards By Ross It was a thrilling night, with the announcement of the 2026 Drama League Awar…
Frontmezzjunkies reports: New works, landmark revivals, and a reimagined home at Astor Place shape The Public’s expansive fall and winter lineup By Ross The Public Theater has always carri…
Frontmezzjunkies reports: And the Winners of the Toronto Theatre Critics’ Awards Are… By Ross One of the great pleasures of being part of Toronto’s theatre community is witnessing how …
Frontmezzjunkies reports: Lea Michele, Daniel Radcliffe, and Sam Tutty lead a fan-voted celebration of the season’s most beloved performances By Ross There is something especially joyful a…
The Broadway Theatre Review: David Auburn’s Pulitzer Prize Winner Reopens Old Wounds at the Booth Theatre The idea of genius has always made people uncomfortable, especially the kind that …
Frontmezzjunkies reports: Ben Ahlers, Ayo Edebiri, Leslie Manville, and More Among 2026 Honorees By Ross The feeling of discovery has always been one of the most thrilling parts of theatre, …
Frontmezzjunkies reports: Schmigadoon!, The Balusters, and Ragtime Lead the 2026 Outer Critics Circle Awards Some shows arrive with enormous anticipation, while others build their reputation…
The Broadway Theatre Review: August Wilson’s Century Cycle Resonates with Spiritual Force at the Barrymore The sound of a guitar being gently strummed is what draws me in, but it is the fe…
The Broadway Theatre Review: A fact-based drama of isolation and narrative control, driven by performance and shaped by uneven execution By Ross Time does not move the same way for everyone,…
The Toronto Theatre Review: Andrew Kushnir’s Docu-Drama Unpacks Family Mythology, National Identity, and the Weight of Historical Silence By Ross It’s the most compelling question of the…
Frontmezzjunkies reports: Lin-Manuel Miranda’s breakout musical returns to City Center with a new concert staging By Ross New York has a way of bringing certain stories back exactly when t…
The Broadway Theatre Review: A Familiar American Tragedy Finds New Emotional Ruin at the Winter Garden By Ross The sound of a car door closing has rarely carried so much weight, but in this …
Frontmezzjunkies reports: Familiar titles, surprise omissions, and a wide-open race take center stage By Ross This kind of morning always arrives with an extra dose of electric anticipation,…
The Broadway Theatre Review: A cult classic struts back into Studio 54 with polish, mischief, and a knowing wink By Ross “On the day I went away, goodbyeWas all I had to say, now II want t…
An Izzy Ontario Theatre Review: Come From Away at the Grand Theatre By Izzy Siebert “You are here at the start of a moment.” When Come From Away’s opening number swells onstage, ther…
Frontmezzjunkies reports: Off-Broadway honors celebrate a wide field, with one production rising above the rest The night unfolded with the kind of anticipation that only Off-Broadway can ge…
The Broadway Theatre Review: Two Film Favorites Return to Broadway with Strikingly Different Results By Ross A strange kind of theatrical whiplash is set somewhere between curtain calls, whe…
The Off-Broadway Theatre Review: Diane Paulus reshapes a classic into a living, breathing environment By Ross The first step through the doors on West 57th Street felt like stepping into a s…
The Broadway Theatre Review: Cinco Paul’s stage adaptation bursts with affection, satire, and unapologetic musical theatre glee By Ross With one swift kick, the world shifts, candy avalanc…
Frontmezzjunkies reports: A quiet evening announcement carries the weight of a season’s most lasting impressions By Ross In a grand and great surprise, the New York Drama Critics’ Circle…
Frontmezzjunkies reports: A season of movement, storytelling, and artistry takes center stage as this year’s nominees are revealed There is a particular kind of electricity that lives in d…
The Off-Broadway Theatre Review: Tarell Alvin McCraney’s modern fable returns anchored by deeply felt performances and a striking physical language By Ross Drumming by Munir Zakee meets us…
Frontmezzjunkies reports: A season takes shape as Off-Broadway surges and familiar titles return to the conversation This morning, the nominations dropped, and it feels like a reward for a s…