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This Is How You Steal a Scene Using Only a Bank by Melena Ryzik, Amir Hamja

Deposit slips, vintage ledgers and more: David Korins’s Tony-nominated, 27,000-pound set for “Dog Day Afternoon” is as much a technical feat as a 1970s throwback.

SOURCE: The New York Times Subscription at 5:16am on May 23, 2026 ☆ ⚑

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