Love Story by Tony Marinelli

Where past and present commingle—as they so insistently do in a play like "Love Story"—the burden falls squarely on the director to furnish the audience with a legible temporal grammar. Without such guidance, fragmentation risks reading not as intentional lyricism but as simple confusion. Here, despite the production’s many sensitivities, that grammar is not always clearly articulated. Judging by the palpable h…

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