Opera Review: RIGOLETTO (LA Opera)
STERILE STAGING, FEROCIOUS VOICES: LA OPERA'S RIGOLETTO BLEEDS DESPITE ITSELF Let's be clear from the jump: this isn't your Nonna's Rigoletto. No 16th-century Italian costumes, no jester's hump wobbling around the ducal funhouse. Just an elegantly brutalist playground for testosterone, tuxedos, and trauma. Director Tomer Zvulun, who seems to believe subtlety is for string quartets […] The post Opera Review: RIGOLET…
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