“PROOF”: STRONG PERFORMANCES BUT CONTRIVANCES ARE SHOWING
By Samuel L. Leiter The Broadway revival of David Auburn’s 1999 drama Proof at the Booth Theatre, directed by Thomas Kail (Hamilton), has various laudatory features, but it fails to prove that the play lives up to its stature as a winner of both the Pulitzer and Tony, among other honors. Originally produced at New Brunswick’s George […]
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