In the new Evita at the London Palladium, Rachel Zegler sings from the theatre's actual balcony " meaning the big-paying audience doesn't experience what passersby get for free. Could this gimmick catch on? In the theatrical tactic "breaking the fourth wall", characters acknowledge the presence of the audience. As when, in the current National Theatre production of Stephen Sondheim's final musical, Here We Are, the p…
SOURCE: The Guardian at 11:42AM on June 18, 2025