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'The Counterfeit Opera': Macheath deserves a better comeback (Off Broadway review) by Thom Geier

Old Macheath is back, this time flashing his pearly whites as a thief in 1850s New York City in an updated version of John Gay and Johann Christoph Pepusch's 1728 classic The Beggar's Opera (perhaps best known for Bertolt Brecht, Elisabeth Hauptmann and Kurt Weill's 1928 adaptation, The Threepenny Opera, with its now-standard signature ballad […]

SOURCE: Culture Sauce at 11:00PM on June 12, 2025

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