Lyttelton, LondonThis energetic look at the charmed lives of the 1% features some signature sparks, but the class satire is not potent enough in the composer's swansong Stephen Sondheim's final musical is a passion project in more ways than one. An adaptation of two films by Luis Buñuel, it reflects his lifelong love of cinema. Sondheim began mulling over the idea more than four decades ago (with playwright-direct…
SOURCE: The Guardian at 08:18PM on May 8, 2025