In C review " Sasha Waltz matches Terry Riley's 1964 classic with a minimalist community
Queen Elizabeth Hall, London The choreographer pairs the semi-improvised score with similarly loose structures that reflect on collective action and identity Contemporary choreographers love minimalist music. Its rhythmic repetition, unceasing momentum and layering of phrases provides a useful framework for movement, as in Lucinda Childs' Dance set to Philip Glass and Anne Teresa de…