Medea as a Border-Body [Part I] by Deniz Bașar

Perhaps the 2024 production of La MaMa's Medea, under Zishan Ugurlu's direction and reimagining, is an ode to our times like Achille Mbembe's Brutalism (2024), in which he developed the concept of the border-body, which means a person whose life is reduced to a state of no-value due to their precariousness in the face of […] The full version of the article Medea as a Border-Body [Part I] is available on The Theatre…

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