Arcola, LondonTimely revival of Michael Hastings' unsettling 1956 play that examines the legacy of war on immigrants in postwar London It's just over a decade since the second world war ended but its legacy of trauma is still very present for the troubled Jewish characters of Michael Hastings' strikingly restless debut play.Hastings was only 18 when Don't Destroy Me premiered in 1956, informed by his own fractured fa…
SOURCE: The Guardian at 08:36AM on January 16, 2024