London Coliseum Version created by Mary Skeaping in 1971 retains its seductive power, ably driven by principals Katja Khaniukova and Aitor Arrieta One of the strengths of the ballet Giselle is that dance itself is so entwined with the subject matter. Dancing is the peasant girl Giselle's great talent and joy, but also the thing that threatens her weak heart. And in the second act, dance is how the wilis, the ghostly …
SOURCE: The Guardian at 12:18PM on January 12, 2024