Ghosts, Sam Wanamaker Playhouse review " a claustrophobic descent into purgatory
Hattie Morahan returns to Ibsen, for another round of unhappy families Henrik Ibsen may well have wanted to shake things up, to rile against the social mores of his time. But his visionary critiques didn't usually come with anything as radical as, say, optimism. And there's no more of a downer than Ghosts.
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