Almeida theatre, LondonMarina Carr's play is beautifully bleak and Alison Oliver's central performance as a woman lost in grief is matched by a mighty cast The preoccupation with death is there from the start. A heaviness hangs over Alex Eales's neat domestic set, a ragged crater blown out of the back wall. Behind is revealed the rocky bank of the Belmont river, where half of Portia Coughlan's mind and soul lie at al…
SOURCE: The Guardian at 07:07AM on October 18, 2023