Imposter 22, Royal Court Theatre review - ace on representation, less so on structure by Gary Naylor

Big-hearted and necessary play fails to deliver fully on its huge promise The Royal Court's collaboration with Access All Areas (AAA) may not be theatre's first explicit embrace of the neurodiverse community on stage: Chickenshed has five decades of extraordinary inclusive work behind them and Jellyfish, starring Sarah Gordy at the National Theatre, was one of my highlights of 2019.

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