A "Camelot" That's Not the Most Shining Spot
O.K., so here's the dilemma: when you revive a classic show that has problematic elements (and which of them doesn't?) should you keep it the way it was written or update it for modern sensibilities? The new production of Camelot, which opened in Lincoln Center's Vivian Beaumont Theater this week, chose the latter. And I'm not sure that was a good idea. Camelot has always been problematic. Its score by Frederick Loew…
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