@sohoplace, LondonMartha Plimpton and the whole ensemble shine in Shakespeare's nuanced romance interwoven with sign language and song A piano, prominent on an otherwise empty stage, is a clear sign this production will place sound at the centre of Shakespeare's song-filled play. It is the first thing we hear and becomes this pastoral's most constant voice, syncopating its comedy and heightening its romance. The love…
SOURCE: The Guardian at 10:18AM on December 15, 2022