Sadler's Wells, LondonThe Belgian choreographer's interpretation of the great keyboard work is a rich, carefully crafted essay Anne Teresa de Keersmaeker is not someone you expect to see dancing in silver sequined hotpants: a high queen of choreographic seriousness and an austere presence on stage. This solo is both a departure from and a distillation of what we know of the Belgian choreographer. Her 42 years of work…
SOURCE: The Guardian at 06:49PM on September 7, 2022