Summerhall, EdinburghVeering between danger and comedy, Chou Kuan-Jou's exploration of sexuality has some potent ideas and clever mood shifts Three semi-nude performers writhing around the stage in a tomato fight. It certainly sounds like the Edinburgh fringe. Chou Kuan-Jou's Tomato has some qualities ripe for a festival: it's short (30 minutes), creates a distinctive world, has some potent ideas in a rough form and …
SOURCE: The Guardian at 06:54AM on August 16, 2022