The White Card, Soho Theatre review - expelling the audience from its comfort zone by Gary Naylor

Claudia Rankine's 2018 play insists on raising difficult questions  Art and race intersect to provocative effect We're in New York City, in an upscale loft apartment, with that absence of stuff that speaks of a power to acquire anything. There are paintings on the walls, but we see only their descriptions: we learn that the owner (curator, in his word) really only sees the descriptions, too, and that the aesthetic…

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