Orange Tree theatre, LondonMartin Crimp's crisp translation of Marivaux's comedy never feels overplayed and highlights the seductive allure of money A spiralling maze has been painted across the stage floor and a metallic flowery canopy hangs overhead. In the corner, a Hepworth-esque sculpture suggests a crouched naked body or perhaps a mouth gaping open in a scream. Simon Daw's abstract set is pitched somewhere betw…
SOURCE: The Guardian at 10:06AM on June 14, 2022