The thirtysomething American playwright on confronting audiences, drawing on past traumas, and why he's putting an infinity pool on stage There are few people present in the Almeida theatre offices in London when Jeremy O Harris walks in on a Monday evening in March. He is wearing Gucci head-to-toe: a multicoloured check wool suit and, over it, a grey monogram coat embellished with small jewels that glitter intensely…
SOURCE: The Guardian at 10:36AM on March 31, 2022