Slave Play at the Taper by Steven Morris

Though it streaks across the theatrical firmament like a comet, its tail is more luminous than the substance of the object itself -- an object that rattles and prattles along its trajectory, unsure of whether it wishes to be regarded as an object of insight, of provocation, of titillation or of mystification. It can be seen as any or all of those descriptions. Such ambiguity is not necessarily a virtue. The post Sla…

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