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Amélie the Musical review " kindness, kooks and kissing cellos in the city of love by Chris Wiegand

Criterion, LondonIt irons out the eccentricities in Jean-Pierre Jeunet's film but this show has a timely message and delights in small pleasures Twenty years ago, Jean-Pierre Jeunet introduced us to Amélie Poulain, the Parisian waitress who loves skipping stones, cracking into creme brulee and craning her neck at the cinema to see the audience's faces. Such is the novelty of theatre-going after lockdown, this musica…

SOURCE: The Guardian at 05:42PM on June 2, 2021

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