In Kirsten Coelho, the first major publication on a practice spanning thirty years, images of Coelho's impeccable vessels are interleaved with fragments of poetry and reproductions of paintings by Jean-Baptiste-Siméon Chardin, Russell Drysdale and Vilhelm Hammershøi. In a series of essays, author Wendy Walker traces the evolution of Coelho's textured practice, in which an ever-expanding framework […]
SOURCE: Australian Arts Review at 12:50AM on September 18, 2020