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Samuel Beckett's literary agent tried to close Joy Zinoman's 1998 Waiting for Godot. How she prevailed. by Blair A. Ruble

1998 was promising to be a banner year for Joy Zinoman and her Studio Theatre.  Already settled into a stunning new building which opened the previous year that shone with what Washington Post architectural critic Benjamin Forgey called an "inner glow," the company was winning kudos for its positive impact on a long-derelict neighborhood, and […]

SOURCE: DC Theatre Scene at 10:42am on June 19, 2020 ☆ ⚑

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