Available onlineJohn Gielgud's 1964 production of Shakespeare's play haunts this meta-spectacle that questions the nature of performance In these times when "too, too solid flesh" is something we long for, this meta-textual production of Hamlet proves both a fascinating and frustrating exploration of live performance. This is a show preoccupied with ghosts, especially those of Hamlets past. In 1964, Richard Burton st…
SOURCE: The Guardian at 07:24AM on April 2, 2020