By hiring a diverse range of dancers, the directors of Complexions Contemporary Ballet are working to change tired stereotypes When Jillian Davis is on stage, it's hard to watch anyone else. In a blink of the eye, her body swings from long diagonals into swooping parabolas, from the fullest extension of a line to the most cavernous curve. For a moment, she suspends time, like her body is a gasp and the air hasn't esc…
SOURCE: The Guardian at 06:06PM on February 19, 2020