Space Opera in New York City by Marcina Zaccaria

When the stage floods with pink smoke at the end of the show, you question if you're supposed to get lost in it.  The division between actor/ spectator becomes less defined.  Should we get lost in it?  That's the smoke, but what if there's too much of it?  The full version of the article Space Opera in New York City is available on The Theatre Times.

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