York Theatre Royal Fugard's profound examination of a South African family ripped apart by a workplace accident is devastatingly brilliant Hello. Goodbye. These two small, unassuming words bookend Athol Fugard's fleeting reunion of an estranged brother and sister. Like the play itself, these mundane utterances conceal a hidden well of emotion and meaning. What looks like a slight domestic drama digs, gradually, into …
SOURCE: The Guardian at 07:06AM on November 22, 2019