The rising playwright talks self-censorship, fascism, and the unique struggles of being a black artist This fall, Jeremy O Harris wrestled with a problem unique to artists of color. He knew his Broadway debut, Slave Play, worked with white audiences " but he wasn't confident that it worked with black ones. His anxiety only grew after the premiere, especially when he heard black people suggest that he wrote Slave Play…
SOURCE: The Guardian at 10:06AM on November 6, 2019