By: David Sheward Before Adam Rapp's The Sound Inside begins at Studio 54, the ushers are more than usually diligent about insisting all I-phones be turned completely off, since the play begins in total darkness. With all potential distractions silenced and screens blanked, we are emerged in a inky void and lighting designer Heather Gilbert slowly begins to reveal a lone figure reading from a manuscript. It is th…
SOURCE: theaterlife at 09:44AM on October 29, 2019