In a rare interview, Baker explains why she hates commercial theatre (except Hello, Dolly!) and how she anticipated Trump and #MeToo in her new work at the National, The Antipodes It is not an obviously promising sign for a young dramatist when the artistic director of an off-Broadway venue sends a 1,000-word email of sympathetic explanation to those who left at the interval appalled by the slowness and length (three…
SOURCE: The Guardian at 10:12AM on October 24, 2019