Sadler's Wells, LondonGisèle Vienne creates a mesmeric night of intrigue at a rave, while South African whirlwind Dada Masilo makes a ballet classic her own The women are coming: dark, dangerous, different. A good week for female choreographers brought two works that are unlike anything before, even though both have something to do with a name familiar from the origins of Romantic ballet. Crowd, choreographed by the…
SOURCE: The Guardian at 01:12PM on October 12, 2019