Birmingham HippodromeThis beautifully danced production captures the innocence, betrayal and supernatural spirits of the story's early sources There's a spate of Giselles about at the moment, radical reinventions of the 1841 ballet from Akram Khan for English National Ballet, and South African choreographer Dada Masilo, drawing on modern class and gender politics to rewrite the Romantic heroine for our times. But if …
SOURCE: The Guardian at 12:03PM on September 30, 2019