Young Vic, LondonYaël Farber's visceral production, relocating the action to rural Ireland, retains all the potency of Lorca's play about tribal vengeance How to stage Lorca's Blood Wedding in English without smoothing over its rough-hewn poetry or diluting its Andalusian cadences has long been a point of contention. In a bold move, Marina Carr takes her version of this drama about star-crossed lovers and fatal fa…
SOURCE: The Guardian at 10:18AM on September 26, 2019