Park theatre, LondonAn array of disturbed characters are cogs in the grimmest of machines in Eugene O'Hare's frustrating but well-written debut Sex trafficking is a big and serious subject. While it is good to see theatre raising the issue, Eugene O'Hare's debut play doesn't so much explore its ramifications as bob and weave on the margins. He writes well for actors, being one himself, but I learned as much about mod…
SOURCE: The Guardian at 07:54AM on August 22, 2019