Thanks to the world of audio, New York theater is being revolutionized
When it was reported in late April that Rona Munro's play My Name Is Lucy Barton was headed to Broadway, the story carried an obvious selling point: Four-time Tony nominee Laura Linney was back on the Great White Way. But nestled in the announcement was a subtler, significant detail: This show would be co-produced by Penguin Random House Audio. An odd fit at first glance: Why would a publishing house's audio arm help…
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