Fourth-wave feminism can learn a thing or two from the 1980s play Top Girls | Rhiannon Lucy Cosslett
The play reminds us that any feminism worth its salt needs to transcend questions of individual identity There has been a trend in fourth-wave feminism for exploring the stories of women overlooked by history; but almost 40 years before Good Night Stories for Rebel Girls, Top Girls did it, for grownups. Caryl Churchill's 1982 play, now revived at the National Theatre by Lyndsey Turner, is perhaps best known for its o…