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Next stop, Hell by Stephen Farrow

André de Shields knows the value of silence. At the very beginning of Hadestown, the Anaïs Mitchell folk opera currently playing a pre-Broadway tryout at the National Theatre, he steps forward and teases the audience by waiting to speak until the expectant hush in the Olivier's auditorium borders on deafening. It's a masterful beginning to … Continue reading Next stop, Hell

SOURCE: oneapostrophe.wordpress.com at 5:17pm on January 9, 2019

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