Harriet Lane's memorably unsettling 2012 novel, about an overlooked sub-editor who infiltrates the literary elite, has been adapted for stage by Lucinda Coxon. Its combination of psychological thriller and industry satire is decentlytranslated, but a conservative production from Bridge boss Nicholas Hytner who, astonishingly, is here directing his first ever play by a female writer makes a middling case for the virtu…
SOURCE: BroadwayWorld at 08:18AM on March 7, 2019